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Operatic engagements this season and beyond include Agrippina at the Royal Opera House, Re di Scozia in Handel’s Ariodante at Palau de les Arts Valencia, and Achille in Sciro and Die Zauberflöte at Teatro Real Madrid. In the coming seasons, Andrea debuts at Opera di Roma and at the Wiener Staatsoper, and returns to the Liceu Barcelona, and Metropolitan Opera.

Concert appearances include Songs and Dances of Death with the Finnish Radio Symphony Orchestra, and Tristan und Isolde with the Atlanta Symphony Orchestra. Later, Andrea debuts with the Berliner Philharmoniker.

Andrea has recently recorded a new Handel Serse for Deutsche Grammophon with Il Pomo d’Oro, and ‘Melancholia’ – Handel arias for bass with the Accademia dell’ Annunciata.

introduction

Italian bass Andrea Mastroni began his musical education as a clarinettist before moving to vocal studies where he graduated from the Istituto Claudio Monteverdi in Cremona. His awards include the Mario Basiola prize (2005), the Giuseppe Di Stefano prize (Trapani) for his portrayl of Sparafucile Rigoletto, the Bibiena (Mantua) prize (2007) and the XXXVII Prize Franco Abbiati for his performance in Perocco’s Aquagranda at Teatro La Fenice.

Andrea’s repertoire includes Rocco Fidelio, Seneca L’Incoronazione di Poppea, Colline La bohème, Sparafucile Rigoletto, Hundung Die Walküre, Selim Il Turco in Italia, Il Re di Scozia Ariodante, Heinrich Lohengrin, Daland Der fliegende Holländer, Sarastro Die Zauberflöte, Gremin Eugene Onegin, Achille in Sciro, Mustàfa Italiana in Algeri, Cardinal de Brogni La Juive, König Marke Tristan und Isolde, and the title roles in Don Giovanni and Don Pasquale among many others.

He has appeared at Metropolitan Opera, Opernhaus Zurich, Teatro Real Madrid, Bayerische Staatsoper, Deutsche Staatsoper, Hamburgische Staatsoper, Cincinnati Opera, Theatre des Champs Elysées, Teatro Massimo Di Palermo, and Royal Opera House Covent Garden.

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26 September 2019

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Here you can find the most interesting interview about me and my work.

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Read about my last performance from the critics impression.

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April